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• Yankee Doodle
• Star Bangled Banner (vocal)
• God Bless America
• Battle Hymn Of The Republic
• Shenandoah
• Amazing Grace
• America The Beautiful
• Simple Gifts
• America (My Country 'Tis Of Thee)
• Over There
• You're A Grand Old Flag
• Thru The Years 1776-1969
• Semper Fidelis
• Washington Post
• American Patrol
• Star Bangled Banner (instrumental)
• The Caissons Go Rolling Along
• Anchors Aweigh
• Semper Paratus
• The Air Force Song
• The Marines' Hymn
• The Stars And Stripes Forever

Lowest New Price: $10.07

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• Abblassen for brass
• Suite of Symphonies for brass, strings & timpani No. 1 ('Suite de Fanfares;' 'Symphonies & Fanfares for the King's Supper'): Rondeau
• Brandenburg Concerto No. 2 in F major, BWV 1047: Allegro assai
• Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: I. Allegro
• Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: II. Largo
• Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537: III. (Allegro)
• Concerto for trumpet & string orchestra in D major: I. Andante
• Concerto for trumpet & string orchestra in D major: II. Allegro moderato
• Trumpet Concerto in D major: I. Allegro
• Trumpet Concerto in D major: II. Largo
• Trumpet Concerto in D major: III. Allegro
• Trumpet Concerto in D major, MH 104: I. Adagio
• Trumpet Concerto in D major, MH 104: II. Allegro
• Violin Concerto No. 1 in C major, H. 7a/1: I. Allegro
• Violin Concerto No. 1 in C major, H. 7a/1: II. Andante
• Violin Concerto No. 1 in C major, H. 7a/1: III. Finale. Allegro
• Trumpet Concerto in E or E flat major, WoO 1, S. 49: I. Allegro con spirito
• Trumpet Concerto in E or E flat major, WoO 1, S. 49: II. Andante
• Trumpet Concerto in E or E flat major, WoO 1, S. 49: III. Finale. Allegro
• La Virgen de la Macarena, for orchestra
• Variations on 'Carnival of Venice,' for trumpet
• Fanfares (6) for trumpets & timpani ('Reiterfanfaren,' doubtful), ZWV 212: [Unspecified] Reiterfanfare
• Canzoni et Sonate (1615): No. 21. Sonata a 3
• Sonata à 7, for 6 trumpets, kettledrums & continuo in C major, C. 111
• Marcia für die Arche, for 3 trumpets & timpani in C major, H. 621, Wq. 188
• Concerto for 7 trumpets & timpani: I. Allegro
• Concerto for 7 trumpets & timpani: II. Andante
• Concerto for 7 trumpets & timpani: III. Vivace
• Concerto a Cinque, for violin, viola, cello, trumpet & piano: I. Moderato
• Concerto a Cinque, for violin, viola, cello, trumpet & piano: II. Menuett
• Concerto a Cinque, for violin, viola, cello, trumpet & piano: III. Larghetto
• Concerto a Cinque, for violin, viola, cello, trumpet & piano: IV. Vivace
• Fanfare for St. Edmundsbury, for trumpets in multiples of 3
• Quiet City, for English horn, trumpet & strings (from the incidental music)
• Concertino for Trumpet, Strings & Piano
• Fanfare for a New Theater, for 2 trumpets
• L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments: Marche royale
• Etude characteristique No. 1
• Hora Staccato for violin & piano (or orchestra)
• Csárdás, for violin & orchestra

Lowest New Price: $24.41

Lowest Used Price: $38.99

• Overture To 'Tannhauser'
• Domna, Pos Vos Ay Chausida
• We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
• Hungarian Dance No.7
• The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
• Violin Concerto In D Major (Adagio)
• But For A Long Time It Was Seen As The Instrument Of The Devil.
• The Soldier's Tale: Triumphal March Of The Devil
• The Manipulative Seductiveness Of The Gypsy Violin.
• Csardas Music
• The Violin And The Initiation Of Nature
• The Four Seasons (Spring, Mvt 1)
• Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
• The Four Seasons (Summer, Mvt 1)
• Like The Devil, The Violin Is A Master Of Disguise.
• Old Viennese Dance No.3 'Schon Rosmarin'
• The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
• Tzigane
• Do We Now Have The True Measure Of This Instrument? Not Just Yet.
• Caprice No.24
• The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
• Variations On A Theme Of Frank Bridge (No.7)
• Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
• Romeo And Juliet: Act IV
• Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
• The Four Seasons (Winter, Mvt 1)
• The Violin Muted
• Clair De Lune
• The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
• Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
• The Pizzicato Violin
• Pizzicato Polka
• In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
• Violin Concerto No.2 In G Minor (Slow Mvt)
• Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
• The Planets (Mars - The Bringer Of War)
• The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
• Hungarian Dance No.4
• Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
• The Four Seasons (Autumn, Mvt 1)
• Now The Same Technique, But The Sound Might Have Come From Another World.
• Bolero
• Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
• Cadenza To The Violin Concerto By Brahms
• Now Compare That With A Real Violin Duet.
• Forty-Four Duos (No. 1: Teasing Song)
• Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
• Forty-Four Duos (No.2: Maypole Dance)
• And Now What May Be The Most Beautiful Accompanied Violin Duet In History
• Concerto In D Minor For Two Violins (Largo)
• The Soul Of The Violin Is In Song; But What About This Weird Passage?
• Violin Concerto No.1 In D Major (Mvt 2)
• The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
• Symphony No.1 'Titan' (Mvt 1, Opening)
• Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
• The Sleeping Beauty (Act II, No.15: Entr'Acte)
• Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
• Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
• Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
• The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
• Also Sprach Zarathustra (Of The Afterworldsmen)
• Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
• Variations On A Theme Of Frank Bridge (No. 4)
• Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
• Four Sea Interludes (Dawn) From 'Peter Grimes'
• To End This Outing With The Violins, A Charming Little Elfin Dance
• Elfenreigen
• Introduction To The Viola
• Viola Concerto (Mvt 1)
• Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
• Gayane Suite No.1 (Armen's Solo)
• Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
• Passacaglia, Op.33b From 'Peter Grimes'
• The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
• Harold In Italy (Mvt 4)
• The Muted Viola: Intimate, Gentle, Poignant In Dvork
• Cypresses (No.9)
• The Massed Violas Of The Modern Symphony Orchestra In Mahler
• Symphony No.4 (Mvt 3)
• The 'Period' Viola In Bach
• Brandenburg Concerto No.6 (Last Mvt)
• The Cello: A Voice Of Unique Nobility
• Suite No.1 For Unaccompanied Cello (Prelude)
• Brahms And The 'Soul' Of The Cello
• Piano Concerto No.2 In B Flat Major (Mvt 3)
• Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
• Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
• In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
• Symphony No.3 'Eroica' (Finale)
• But The Cello Is Not Condemned To Spend Its Life In The Basement.
• Elfentanz, Op.39
• Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
• The Protecting Veil (Opening)
• A Cello With An Identity-Crisis: The Pizzicato Flamencan
• Flamenco
• Double-Stopping In The Lower Reaches Of The Cello's Range
• Solo Suiet For Cello And Piano (Sardana)
• It's In The Middle Register That The Cello Really Comes Into Its Own.
• Oriental Dance, Op.2 No.2
• It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
• Symphony No.9 (Finale)
• Introduction To The Double-Bass
• The Carnival Of The Animals (The Elephant)
• But The Double-Bass Can Be Intensely Expressive And Graceful.
• Elegy No.1 In D Major
• The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
• Capriccio Di Bravura
• Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
• The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
• Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
• The Antiquity And Magic Of The Flute
• Prelude A L'Apres-Midi D'Un Faune
• The Versatility And Agility Of The Flute
• Orchestral Suite No.2 In B Minor (Badinerie)
• The Flute In Fifteenth-Century Spain
• Sa'Dawi
• Other Flutes: The Bass And Alto
• Chamber Music No.II
• The Piccolo - Aptly Named
• La Naissance D'Osiris (Mvt 6)
• From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
• Suite No.1 For Small Orchestra (Valse)
• A Variety Of Techniques
• Chamber Music No.II
• Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
• The Nutcracker (Act II, No.2: Scene)
• From The Transverse To The Vertical: The Baroque Recorder
• Recorded Suite In A Minor (Menuet II)
• An Unfamiliar, Early Vision Of The Instrument
• Naelden, Naelden
• The Bachian Oboe
• Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
• Introduction To The Cor Anglais Or 'English Born'
• Symphony No.9 'From The New World' (Mvt 2)
• The Loneliness Of The Cor Anglais
• The Swan Of Tuonela
• The Cor Anglais Joins The French Horn In Haydn.
• Symphony No.22 'The Philosopher' (Opening)
• Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
• Bolero
• The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
• Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
• As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
• Gayane Suite No. 1 (Mvt 5)
• The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
• The Range Of The Normal Clarinet Parts Goes Quite High...
• The Snow Maiden (Scene 5: Melodrama)
• ...And Quite Low.
• Peter And The Wolf (The Cat)
• The Clarinet As Concerto Soloist
• Clarinet Concerto In A Major (Rondo)
• But That's Not The Instrument Mozart Wrote It For; This Is:
• Clarinet Concerto In A Major (Rondo)
• Introduction To The Saxophone
• Hary Janos Suite (Mvt 4)
• The Soprano Saxophone Has Quite A Different Feel To It.
• L'Arlesienne Suite No.1 (Minuet)
• The Little Sopranino Sax Goes Even Higher.
• Bolero
• The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
• Pictures At An Exhibition (The Old Castle)
• The Saxophone Can Be Quite Contagiously Good-Humoured.
• Sax-O-Phun
• The Puffa-Puffa Image Of The Bassoon
• Peter And The Wolf (Grandfather)
• The Bachian Bassoon, In Accompanimental Mode
• Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
• Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
• And Ravel, Also In Spanish Mode, Does Likewise.
• Bolero
• The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
• Symphony No.3 (Opening)
• The Eerie Bassoon In Its Highest Register
• The Rite Of Spring (Opening)
• Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
• The Firebird Suite (1919, Berceuse)
• The Bassoon As Concerto Soloist, Avoiding All Exaggeration
• Bassoon Concerto In G Minor (Finale)
• The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
• Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
• The French Horn Under Its Woodwind Hat
• Wind Quintet, Op.43 (Last Mvt)
• Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
• Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
• The Horn In Harmonious Blend With Strings In Another Quintet
• Horn Quintet, K.407 (Finale)
• The Trumpet As Virtuoso Soloist
• Brandenburg Concerto No.2 (Last Mvt)
• The Special Brillance Of Paired Trumpets
• Concerto In C For Two Trumpets, RV537 (Mvt 1)
• The Ceremonial Trumpet
• Fanfare For The Common Man
• Trumpets And Drums - An Incomparable Alliance
• Messiah (The Trumpet Shall Sound)
• The Versatility Of The Trumpet, From The Most Public To The Most Lonely
• Piano Concerto In F (Slow Mvt)
• The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
• Carmen Suite No.2 (Habanera)
• The Trumpet As The Voice Of Strength And Courage
• Carmet Suite No.2 (Toreador's Song)
• The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
• Billy The Kid
• The Trumpet As Character Actor
• Pictures At An Exhibition (No.6)
• The Trumpet As The Voice Of God
• Mass In B Minor ('Et Exspecto')
• The Birth Of The Trombone
• Aenmerckt Nu Hier
• The Birth Of The Brass As A Family
• Canzon 12 In Double Echo
• The Trombone In The Eighteenth Century
• Trombone Concerto In B Flat Major (Finale)
• The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
• Hosannah
• The Trombones Become Part Of The Orchestra.
• Symphony No.5 (Finale)
• The Wagnerian Trombone:/Overture To 'Tannhauser'
• The Trombone As Caricaturist
• Pulcinella (No.19: Vivo)
• The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
• The Horn And The Hunt
• Horn Concerto No.4 In E Flat, K.495 (Finale)
• The Challenging Horn Of The Baroque
• Abaris Ou Les Boreades (Menuet)
• The Scarcity Of First-Rate Players In Handel's Time
• Walter Music (Minuet 1)
• The Horn As Magician/The Firebird Suite (1919, Finale)
• Horns And The Sound Of Nobility
• Overture To 'Tannhauser' (Opening)
• The Special Sound Of The Horn In Its Higher Register
• Mass In B Minor ('Quoniam Tu Solus Sanctus')
• The Trumpet-Like Sound Of Massed Horns
• Symphony No.3 (Mvt 1, Opening)
• The Tuba - Unfairly Maligned?
• Symphony No.6 (Mvt 3)
• The Tuba Perfectly Cast By Ravel
• Pictures At An Exhibition (Bydlo)
• Introduction. And We Begin With A Bang.
• Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
• At The Opposite Extreme Is The Triangle.
• Piano Concerto No.1 In E Flat (Scherzo)
• Categories Of Percussion: Tuned And Untuned. The Side Drum
• Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
• The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
• The Tambourine. One Of The Oldest Instruments In The World
• Den Hoboecken Dans
• Even Older Is The Originally Oriental Gong.
• Ma Mere L'Oye - Mother Goose (Laideronette)
• No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
• Gymnopedie No.2
• The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
• Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
• More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
• Rodeo (Hoe-Down)
• Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
• Scherzi Musicali (Damigella Tutta Belle)
• A Still Earlier Example From Fifteenth-Century Spain
• Yo M'Enamori D'Un Aire
• The Birth Of The Bongo
• Symphonic Dances From 'West Side Story'
• From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
• Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
• From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
• Onwards To The Tuned Percussion. First, The Timpani
• Also Sprach Zarathustra (Introduction)
• But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
• Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
• Taking Advantage Of Tunability
• Music For Strings, Percussion And Celeste (Mvt 2)
• The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
• Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
• Saint-Saens And The Xylophone
• The Carnival Of The Animals (Fossils)
• Ravel And The Xylophone
• Ma Mere L'Oye - Mother Goose (Laideronette)
• Introducing The Marimba/Carmen Suite (First Intermezzo)
• Introducing The Vibraphone
• The Treasure Of The Sierra Madre (Narange Dolce)
• The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
• Introducing The Hungarian Cimbalom
• Folk Dances
• The Cimbalom And The Symphony Orchestra
• Hary Janos Suite (Mvt 3)
• Introducing The Tubular Bells
• Hary Janos Suite (Viennese Musical Clock)
• A More 'Up-Front' Approach From Rodion Shchedrin
• Carmen Suite (Introduction)
• But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
• Introducing The Celeste
• The Nutcracker (Dance Of The Sugar Plum Fairy)
• Magic, In The Use Of Collective Percussion
• Miroirs (La Vallee Des Cloches)
• Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
• A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
• The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
• Brandenburg Concerto No.2 (Slow Mvt)
• The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
• Petrushka (Russian Dance)
• The Anti-Romantic Piano As An Integral Part Of The Orchestra
• Music For Strings, Percussion And Celeste (Last Mvt)
• Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
• Symphony No.3 'Organ' (Finale)
• But Things In Handel's Day Were Very Different.
• Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
• The Organ Is Difficult To Classify.
• An Unexpected, Organ-related Guest
• Concerto Pour Zampogna (Last Mvt)
• Peasant-Fancying... And A Touch Of The Roaming Cowboy
• Les Miserables (Drink With Me)
• Outside Artefacts And The Power Of Association
• Mahler's Sleighbells
• Symphony No.4 (Opening)
• A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
• Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
• Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
• Don Quixote (Variation VIII)
• National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
• And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
• And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
• The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
• The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
• The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
• The Sitar Of India/Evening Raga: Bhapoli
• The Accordion For France (Especially Paris)/Paris Canaille
• The Zither For Vienna/The Third Man (Theme)
• The Cimbalom For Hungary/Folk Dances
• The Guitar As An Integral Part Of The Orchestra/Rondena
• There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
• The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
• Nocturnes
• Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
• The Carnival Of The Animals (The Cuckoo)
• The Flute As An All-purpose Aviary
• The Carnival Of The Animals (The Aviary)
• The Oboe As Duck
• Peter And The Wolf (The Duck)
• The Recording Of Reality. Does It Work As Well?
• The Pines Of Rome (The Pines Of The Janiculum)
• The Recording Of Reality Electronically Reborn In New Guises
• Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
• Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
• Symphony No.6 'Pastoral' (Andante Molto Mosso)
• Some Improbable Casting: The Violin As Braying Donkey
• The Carnival Of The Animals (Persons With Long Ears)
• A Truly Orchestral Hee-haw To Be Reckoned With
• Overture To 'A Midsummer Night's Dream'
• A Thunderstorm In A Million
• Symphony No.6 'Pastoral (Allegro-Allegretto)
• the Instrumental Depiction Of A Silent World
• The Carnival Of The Animals (The Aquarium)
• Saint-Saens' Menagerie Takes A Curtain Call.
• The Carnival Of The Animals (Finale)
• The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
• Forty-Four Duos (No.4)
• A Great Contrast, Of Both Pitch And Character: Violin And Viola
• Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
• Arrival Of The Standard String Trio: Violin, Viola, And Cello
• String Trio In B Flat (Menuetto)
• The String Quartet: Two Violins, Viola, And Cello
• String Quartet In F, Op.18 No.1 (Mvt 3)
• The String Quintet - When The Extra Instrument Is A Second Viola
• String Quartet No.5 In D, K.593 (Adagio)
• The String Quintet - When The Extra Instrument Is A Second Cello
• String Quintet In C (Mvt 3)
• The String Sextet: Two Violins, Two Violas, And Two Cellos
• String Sextet In B Flat (Mvt 2)
• The String Octet: The Standard String Quaret Times Two
• Octet In E Flat, Op.20 (Mvt 1)
• Double The String Octet: A Fully Fledged String Orchestra
• String Symphony No.2 (Finale)
• The Massed Strings Of A Symphony Orchestra
• Fantasia On A Theme Of Thomas Tallis
• Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
• Wind Quintet In A Minor, Op.100 No.5 (Theme)
• In The First Variation It's The Horn That Gets The Lion's Share.
• Wind Quintet In A Minor, Variation 1
• In Variation Two The Torch Is Handed To The Bassoon.
• Wind Quintet In A Minor, Variation 2
• In Variation Three The Oboe Leads.
• Wind Quintet In A Minor, Variation 3
• Variation Four: Conversation Before Returning To A Solo-dominated Texture
• Wind Quintet In A Minor, Variation 4
• And Variation Five is Dominated By The Clarinet.
• Wind Quintet In A Minor, Variation 5
• The Next To Be Featured Is The Virtuoso Flute.
• Wind Quintet In A Minor, Variation 6
• Individual Farewells And A Closing Chorus
• Wind Quintet In A Minor, Variation 7
• A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
• Octet In F (Mvt 3)
• The Early Classical Symphony Orchestra Of Haydn And Mozart
• Symphony No.29 In A, K.201 (Finale)
• Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
• Canzon 28
• Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
• Symphony No.5 (Finale)
• From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
• Beethoven Changed The Face Of The Symphony And The Orchestra Forever
• Symphoy No.6 'Tragic' (Mvt 1)
• The Cult Of Orchestral Elephantiasis Reaches Its Peak.
• Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
• When Large Doesn't Necessarily Mean Loud: Debussy
• Images (Gigues)
• A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
• Turangalila Symphony (Chant D'amour 1)
• The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
• Balle De Xerxes (Gavotte En Rondeau)
• Computer And Synthesiser: Friends Or Foes?
• Concerto In D Minor For Two Violins (Largo)
• A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Lowest New Price: $4.82

Lowest Used Price: $4.53

• Star-Spangled Banner (National Anthem, USA), for orchestra & voice/chor - Key, Francis Scott
• God Bless America, song - Berlin, Irving
• America the Beautiful (original title "Materna") - Bates, Katherine Le
• You're a Grand Old Flag - Cohan, George M.
• Tie a Yellow Ribbon 'Round The Old Oak Tree - Brown
• This Land Is Your Land - Guthrie, Woody
• Columbia, the Gem of the Ocean for voice & piano - Traditional
• Bless This House, for chorus & keyboard - Brahe, May H.
• You'll Never Walk Alone, song (from "Carousel") [From Carousel] - Rodgers, Richard
• Liberty Fanfare, for orchestra - Williams, John [Fil
• The Caissons Go Rolling Along, official song of the United States Army - Gruber, Edmund L.
• Anchors Aweigh (Official song of the U.S. Navy) - Zimmerman, Charles
• The Army Air Corps March ("Off we go into the wild blue yonder") - Crawford, Robert M.
• Semper Paratus for band ("U. S. Coast Guard March") - Van Boskerek, Franc
• The Marine Corps Hymn - Phillips, L.Z.
• Semper Fidelis, march for band - Sousa, John Philip
• National Emblem, march for orchestra (or band) - Bagley, E.E.
• U. S. Field Artillery, march for band - Sousa, John Philip
• The Washington Post, march for band - Sousa, John Philip
• The Stars and Stripes Forever, march for band - Sousa, John Philip

Lowest New Price: $5.60

Lowest Used Price: $5.39

• The Champions, march
• Der Beherrscher der Geister (The Ruler of the Spirits), overture for orchestra, J. 122 (Op. 27) (revision of overture to Rübezahl)
• Alpine Echoes and Post horn Galop: arr for band by Parkes/McCann
• Praeludium for small orchestra: arr for band by Arthur O. Pearce
• Sonata, Serenade and Scherzo for trombone & brass band: Serenade
• Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): Finale
• Midwest March
• Serenade for voice & piano or orchestra (Rimpianto) No 1, Op 6: arr by Arthur O. Pearce
• The Snow Maiden (Snegurochka) (ii), opera ('springtime tale') in 4 acts with a prologue: Dance of the Tumblers
• A Downland Suite, pieces (4) for brass band: Elegy
• Capriccio Brillante: arranged by Sandy Smith
• Deep Harmony ('Wrth edrych Iesu ar dy groes...'), hymn
• Famous British Marches Medley
• Orphée aux enfers, operetta: Can-Can